Saturday, November 26, 2011

Rocinante, don Quixote's horse

Rocinante in Madrid
Skinny, emaciated, thin and tired, the good horse is riding to the afterlife. We are in La Mancha, in the middle of the yellow Spain, old country of dreams: where else? Only the voice of centuries can explain what is the meaning of a skinny horse travelling through silent words.
Rocinante does not represent the silly loyalty of an animal following its crazy owner, a knight out of the books of chivalry. Rocinante is the wise traveler who knows that the value of a trip is simply to learn to live and to die, and to achieve the afterlife in appropriate conditions to start again: it is the eternal return.
Cervantes’ main character is Rocinante, because La Mancha is a desert of wheat, don Quixote is the ghost of its questions, Sancho Panza is the sad reality and its goal is to understand the meaning of the existence.
It is not worth rebelling, it is not worth pausing, if it does not learn now, it will learn afterwards.
Martin Cid 
More: http://www.martincid.com/

Tuesday, November 15, 2011

Martin Cid last novel

Martin Cid last novel
A Romantic poet is living his last days in a psychiatric hospital. Shadows and voices appear around him. They belong to the greatest writers: Cervantes speaks clearly but he is envious of the players’ success. Teresa de Jesus writes mystical sentences in her convent but she has luxurious thoughts. James Joyce is the best in spite of his personal vicious. Borges is  avaricious of knowledge and Galdos feels the wrath of mankind…
They are 7 great writers with 7 great sins… with 7 great gifts. In the end, the Muses will overcome this confusion to create a complete world of fiction and reality: are not them a same thing?
More: http://www.martincid.com/english/novels.php : ‘Eminescu’s 7 Sins’

Monday, November 14, 2011

Martin Cid My life

Proud ( and excessive) pipe smoker, virulent talker, quasi-abstemious, his spacious presence has had the bad taste to fill the nights in Madrid with puffs for more than ten years.
Writer and author of three novels and an essay, it stays admirer of Jack Daniel’s.

See more: http://yareah.wordpress.com/2011/11/14/martin-cid-a-writer/

Sunday, November 13, 2011

Papyrus, by Martin Cid

‘The best papyrus is not that one buried in Alexandria, survivor of fires and extinguished libraries. The best papyrus is that one which is yet to write.’
I still remember when I wrote ‘papyrus’ in Yareah magazine. In July, we dedicated the issue to Avant-Garde authors and I wrote these 8 little papyrus:
1.-  What would a Dadaist author say about Summer? Blue ridiculous, red beach of riding clouds, liquid sun in the interior of my toilet. There are not reasons, not rules, not truths. Bourgeoisie is a cancer, wars are a business and businesses are a grey stomach. I am an outsider who likes clowns, who is a green clown in a pink gallery: buffoonery is the only word, my perfect word.
2.- What would Summer say about Apollinaire? Poetry is that snake which bites its tail.
3.- What would Summer say about Eugene Ionesco? It is always more absurd a season than a character, it is always more real a scenario than my rays, it is always an author behind the curtains. Autumn will come and your plays will be applauded again. “The Bald Singer”, “The Rhinoceros”, “The chairs”… Mr. Winter likes them, the same as Mr. Spring is waiting for me, for my warm absurdity.
4.- What would a Surrealist author say about Summer? I see thousands of ants devouring a giant clock in a yellow desert. Desolated, I walk among nightmares which drive me to my unconscious desires: pleasure, repression, SEX. Maybe I study the superstructure of the world, perhaps I believe in Jung’s ideas or maybe I am a post Freud’s writer. Anyway, I will follow my instincts.
5.- What would Summer say about AndrĂ© Breton? You do not need to be Communist to be an avant-garde writer and you do not need to look into Marx the roots of a Surrealist poem. Everybody will leave you in spite of your leadership, of having been the author of “The Surrealist Manifesto” and of having live in the perfect time for creation.
6.- What would Summer say about Samuel Beckett? Waiting for Spring, I imagined a novel with empty pages and the placid face of a man who is not born. Has Godot arrived? I think he is not in a near theatre, I think he is not in Dublin or New York. The fog is falling over The Sorbonne and the wind is whispering a word that I forgot: God.
7.- What would a Futurist author say about Summer? Time for running, for surfing, for driving my new car..., always enjoying the pleasure of risk, of high speed. Time for living intensively, for thinking in next projects, for feeling my own strength…, always trusting in the future, in the changes. Time for strong people who love the fights of this world, of this jungle of iron and steal…, always bowl secure people.

8.- What would a Symbolist author say about Summer? It is an image of extreme feelings, a good metaphor for torrid loves, for explosions and wars. It is a glass without whiskey, a silent Moon, an impertinent echo…, this friendly prostitute that once said: “I like you”.
It was fantastic to write these little pieces. Now, I am fond of short stories and flash fiction, and I can see this old work with ‘papyrus’ as an essay of my current interests.
To honor my old beloved Yareah magazine, today I have written this flash inspired in these previous works:
What would a Dadaist author say about our recent economical crisis? Ridiculous money, red car of an aggressive man, liquid stock market in the interior of my toilet. There are not reasons, not rules, not truths. Wars are a cancer, a business..., and businesses are a grey stomach. I am an outsider who likes clowns.

Wednesday, November 9, 2011

The Look. A short story by Martin Cid

            The light illuminated the mirror when she looked at herself and saw some different eyes. Someone was beyond the mirror, she could distinguish its shadow. Just at the other side, there were other secrets hidden among medieval stones and a young Turkish woman was weeping in her harem. She loved her husband although she lived a future of boredom… repudiate!
But today she noticed some clear eyes taking care of her loneliness. Magic returned from the dark and the two women understand each other through centuries and countries.
‘Look back.’
The mirror contains all your souls.
In the background, the jealous husband was waiting for killing her. ‘Look back.’
The young Turkish woman saw the knife and ran away escaping from her death because she felt for a first time strong and accompanied.
If you look further, you can see your true being.  
  

Sunday, November 6, 2011

SLIGHT MIRROR by Martin Cid

Once upon a time, there was a poor man called Felipe. He lived in a very old town, on an invincible mountain, near an unfriendly river, under a burning sun.
           
            A scorpion bit a frog: a sad little frog.
            Faust cheated a man: a weak young man.
            On the top of the mountain, there was a cathedral, nearly touching the sky; beside the river, a frog was looking forward to seeing a miracle; under the water, good or bad intentions rested silently.
            Ding-Dong
            Dong-Ding
            While the bells were telling legends, full of memories and wisdom, a man went into the cathedral and was astonished looking at a sculpture with his same face, body and hands.
            He wanted to run away but was stuck… among saints and virgins, he was trapped… knelt in front of a kneeling statue, praying as the other one was doing, confronted with himself: he had turned into stone!
            Ding-Dong
            Dong-Ding
            He could remember the legend: a famous story, a popular tale. The tale of a man in love with a greedy woman, the tale of a thief so generous as to give his heart to her.
            In the night, the spirit of him still flew, the same as five centuries ago, originating a possessed air which turned mad everyone. The man breathed deeply and felt a chill; he walked along the main street and found the high cathedral just at the end. Anne deserved the best.
            Ding-Dong
            Dong-Ding
            He had found her sad, with wet eyes and a contrite expression. Her lush mouth was acting as if she was to kiss or, perhaps, to eat the air. She wanted the jewel, he knew. Anne deserved the best.
           
The river flowed as usual, the scorpion could not cross and the frog was killed by a poisoning bite while trying to move the scorpion on its back: sad little frog that only wanted to help.
            The river knew stories: “if the frog had ignored the scorpion, it would still be alive. Anyone has a destination but maybe you can fight your fate”.
            Ding-Dong
            Dong-Ding
           
            The ruby had been on the high altar, blessing the centre of the silver cross, until the day that Felipe stole it. She had asked him for nothing but she had been longing for the jewel: “better around my neck than in that cross”.
            Ding-Dong
            Dong-Ding
            Five centuries ago, in that ancient night, Felipe took the diamond for the most beautiful girl of the town. He wanted to make her happy. Was his intention good or bad?
Four centuries ago, Felipe wanted to give a present, even if he had to damn his soul for ever.
Three centuries ago, she waited for him, keen to start running away with the precious stone in her hands, willing to forget the lover, impatient to leave her past.
Two centuries ago, the river was flowing quickly and she was beside its bank burying her last treasure.
One century ago, the scorpion appeared in the sand. She was terrified and jumped back, falling into the water and drowning slowly.
            The whirlpool was strong and cold.
            The frog’s croak had a green rhythm.
            The poor man, who was ashamed to steal the diamond, was all this time looking for her and seeing the corpse floating down the river, knelt and prayed. The frog saw the miracle, the scorpion saw it too. Felipe was changed into stone and moved, as a sculpture, to decorate the cathedral next day. He was not religious nor atheist, only a man in love. Anne deserved the best.
            Anne is a young busy woman, living a bustling life. She has many brand-new things and any dreams. She wants John’s flesh and blood.
            Faust meets his own soul in every corner.
            He has many masks and colours.
           
            John has just sold his life to a future that he does not like, among people that he does not understand, on the top of an invincible mountain.
            He is a “nobody”, the same as the other one was, kneeling in front of the high altar, praying to the silver cross. Felipe’ sculpture is opposite him, behind the altar and the missing ruby, as the reflection of an invisible slight holy mirror, made of stolen images, beyond a nightmare.
            A scorpion bit a frog: a sad little frog.
            Faust cheated a man: a weak young man.
            Their weak eyes were knocking… The old town was begging for a prayer, the slighting river was singing its lilt: the past and John was trapped in a very brilliant cathedral as shadows of their own essence, the essence of slight times.